THE FLOW EXPERIENCE IN DANCE FULL

Serious games, robotics, virtual/augmented reality, have found their way into neurorehabilitation, and theory of flow experience emerged in recent neurorehabilitation studies. These games are sometimes so well designed that one loses track of time.

THE FLOW EXPERIENCE IN DANCE FULL

In this way, the player obtains a certain automatic feeling of flow while having full control over his or her actions. Also, the exercises should be both exciting and attractive enough to maintain the player’s attention. Serious games are intentionally programmed so that the goals are presented very clearly (i.e., visually through nice icons), and that the requirements of the exercises are adaptable according to the level of player performance. Furthermore, various studies evaluated the player’s flow experience with questionnaires when applying these newer technologies. Interestingly, over the last decade, several computer or tablet-based serious games, and virtual/augmented reality therapeutic training applications have been developed that integrate many of the key flow characteristics mentioned above. In fact, a recent paper about flow clearly advocates Csikszentmihalyi’s Flow-theory as the only valid and default conceptualization so far. Many researchers tried to adapt the Flow-theory and explored predictors and consequences of flow, but its definition and key characteristics as shortly described above, remained largely the same. The Flow-theory proposes nine key characteristics: challenge-skill balance (balance between the challenge of the activity and personal skills), action-awareness merging (involvement in the task actions become automatic), clear goals (clear idea of what needs to be accomplished), unambiguous feedback (clear and immediate feedback), concentration on task at hand (complete focused on the task), sense of control (clear feeling of control), loss of self-consciousness (no concerns with appearance, focused only the activity), transformation of time (altered perception of time either speeding up or down), and autotelic experience (the activity is intrinsically rewarding). Csikszentmihalyi and his colleagues developed the “Flow-theory” with general attributes of an optimal experience and its proximal conditions. Csikszentmihalyi’s first studies involved interviews with people from different backgrounds such as athletes, chess masters, rock climbers, dancers, composers of music and many more. He began his research on flow experiences with the simple question of why people are often highly committed to activities without obvious external rewards.

The flow state was first described by Csikszentmihalyi (1975) as the “optimal experience”.

Attention is fully invested in the task at hand, and the person functions at his or her fullest capacity. During flow, subjective perception of time may change: Time can pass faster or slower and the environment is hardly or no longer perceived. Meine Inhalte subNavigationMarker subNavigationPointerįlow experience is a subjective psychological state that people report when they are completely involved in something to the point of forgetting time and their surrounding except the activity itself.Mehr subNavigationMarker subNavigationPointer.Gebiete subNavigationMarker subNavigationPointer.

The flow experience in dance